Category Tags:, Sugg. Dragon age 2 item packs. Retail: $4000 Size 45 1/2″L times 9 3/4″W a 16 1/2″Chemical Producer: Sound Products Essential 3641 McMicoll Ave., Scarborough, Ont. Onekey recovery not working. Michael1X 1G5 (416) 321-1800 FAX 321-1500 It's been a while since Ian Paisley, arguably the dean of Canadian loudspeaker designers (but definitely no relation to Ulster'beds rabble-rousing reverend) has presented a success style, but here it is definitely in the brand-new OM-6.

1. Mirage Om 9 Speakers

Described (and branded) as Omnipolar (Ian nevertheless regrets not really registering “Bipolar”), this fresh speaker appears instead like a an electrostatic -panel on top of a subwoofer, but it is usually a fully dynamic design, with dual midranges and twéeters in the higher panel, and driven side-firing wooférs below in á covered cupboard. Both enclosure sections are mostly clad in black towel with a piano-black top item and silver plated foot.

Mirage OM-6 loudspeaker Specifications. Apple HomePod smart speaker. Roon Labs Nucleus+ music server. Exquisite Art Songs from Sandrine Piau. This Magic Moment. Find the portable media user manual you need at ManualsOnline. Mirage Loudspeakers OM-6 Portable Speaker User Manual. Of 22 OM-Series.

The tweeter is usually the 1″ “PTHTM Pure Titanium Hybrid” dome that is definitely also used in the Meters-1, while the midrange will be fresh, a 5 1/2″ drivers “with mica stuffed injection-moulded poIypropylene cones, butyl encompases and polymer baskets.” The woofers are explained as “large duty twin 8″ long-throw subwoofers installed on rival sides of the housing,” powered by “a new Mirage-engineered 150-watts dual-module MOSFET design” amplifier. Level and bass contour settings are on the sloping rear screen of the subwoofer program, something I'll sophisticated on when discussing the dimensions. Both line-Ievel and speaker-Ievel advices are offered for the subwoofer module, the last mentioned recommended on an associated card to provide the greatest sound the collection insight would supply purer sound and better utilize amplifier energy, since in the most power-hungry regularity range you'd prevent having one amplifier generating another. Even more on this beIow. The OM-6'h midrange drivers and tweeters are organized so that the back of each former looks the back again of each other, with tweeter at underside at rear; this is certainly both therefore that they can be installed in like a superficial enclosure, the two midrangés deeper than thé tweeter, and tó provide polar radiation patterns with minimal lobing, that will be, acoustic disturbance, to maintain true omnidirectionality. The 4 1/2″ depth is essential because it is certainly shorter than many midrange wavelengths, therefore allowing the system to be omnipolar rather than bipolar (with significant aspect nulls). Since the baffle is definitely slim, at under 10″, both diffraction and front side/rear car owner interference are minimized here, too.

Mirage Om 9 Speakers

A circular acoustic zoom lens is fitted to the tweeter to furthermore aid in this respect. Looking at the dimensions, we possess a several more than usual to decipher, ánd we'll have to approach them in a slightly different manner. The 3 Pink Noise Sweeps at best whose footprints diverge in the bass region display the aforementioned changes. The one at best below 100 Hz shows the subwoofer volume establishing at its highest level, while that below displays the contour handle cranked all the way. Notice how the loudspeaker in this environment progresses off quite rapidly below 50 Hz; some customers might prefer this placement for stone songs or home theatre. The bottom of this trio shows the shape at its lowest setting for flattest, many extended striper, and signifies the real features of the 0M-6 in the bottom part octaves.

Our level and contour settings for the some other measurements had been the result of trials for flattest reaction, and finished up very near to the Iower one in level and contours adjustments. Below are usually the regular Pink Sound Mop (PNS) and Summed Axial Replies (SAR), an additional PNS done from the back which (for factors I'm not really totally certain of) had 2 dB even more power in the largemouth bass; they are usually otherwise virtually similar. The smoothér SAR that overIays these indicatés by its likeness the omnidirectional personality of the speaker, showing simply a little more upper octave energy when we include the axial curves together. Below, the quasi-anechoic dimension shows quite smooth reaction on the loudspeaker's immediate axis, with a considerably demure midrange, a quality seen in all additional measurements, with a extremely linear, extended top end; almost all tweeters are likely to slope more above 10 kHz, but this 1, just like the Energizer rabbit, just keeps on heading.

In the axial figure the trends continue, demonstrating the general uniformity underlining the OM-6's omnipolar style. Nevertheless, a diploma of aspect lobing cancellation can end up being find at 60o between 1 and 3 kHz, this possibly a good issue, as it wll control early aspect wall structure reflections without affecting those needed ones coming milliseconds later on from the back walls behind the speakers. Does this 60o null mean that we'll have got to describe this loudspeaker as “Semi-0mnipolar”? You might wish to trademark that, Ian, simply in case. But, on representation, I still believe OmnipolarTM is a very fair explanation of the 0M-6.

Though no crossover points are provided in the spec linen, the impedance competition indicates that the pair of 8″ drivers are crossed more than at about 80 Hz, this putting quite a weight on the 5 1/2″ midranges. Below this frequency the impedance rises rapidly, reflecting the common high impedance of the sub amplifier input and its buffer to secure the outboard driving amplifier (that is, the one in the program that runs the midrange ánd tweeter). In thé mid-bass/Iower-midrange, impedance reaches a reduced of 4 ohms near 300 Hz, but still shouldn't be too difficult a weight to generate, getting above 8 ohms above 1 kHz. The electric phase change through crossover seen below is usually quite simple, something that will be quite essential in an omnidirectional system, which provides to become both electrically and acoustically phase coherent to prevent driver connections that would result in cancellations, the just one getting that noticed in the midrangé at 60o in the axial regularity curves. Knowing by all the dimensions, the OM-6 should offer both a huge soundstage when properly positioned in the area, and precise lateral image resolution.

In listening, of course, I has been able to directly evaluate it with the Energy son-of-fIagship forward-radiating Véritas v1.8. This proved to end up being very fascinating indeed. I guess I'd possess to define the Power as the even more accurate speaker in the traditional feeling, but the Mirage merchandise its mild midrange reticence with a quite big soundstage beyond ánd behind the spéakers that offers a wealth of musical technology information. Imaging is very exact laterally, and the level and breadth of the soundstage and normal field really equivalent to what I've ended up listening to for 20 decades or more in show halls. Of training course, I can get a equivalent effect making use of my ambisonic processor chip with an extra set of speakers (ADS 300W), and one that stretches to behind thé listener, but thát's an unfáir assessment, so I remaining them off when switching back again and on. My information describe feminine tone of voice as “very obvious, state, with a hair of extra sibilance” and “a big ambient existence.” Acoustic guitar had been “very clean, a little meIlower than with somé speakers.” These quite much explain the pretty laid back again audio of sounds and instruments in a big wide and strong soundstage.

String sound has been “very natural and sweet” (I imagine I'm quoting listening notes even more right here because the OM-6 inspired my muse more than most speakers), and the OM-6 was “very great at uncovering nuances back again in the soundstage.” I discover most bipolars possess a slightly unnatural feeling of level, and this tendency (one that is certainly particularly visible to those who create recordings and have got noticed the areas where they are made) had been much reduced, perhaps owing to the least of motorist relationship cancellations. I could live with this version of improved stereo system because it is usually so enlightening, instead than supplying concealment of the actual soundstage. Getting away from image resolution and turning to characteristics, the OM-6 will perform louder than any speaker in current memory space except the Wavéform Mach 17 (Wtr 97), specifically in the striper. It by no means appeared to operate out of fuel also at the least expensive frequencies. What do operate out of fruit juice had been our amplifier, which at nicely over 100 dB began to cut (and the subwoofer's inner amp, with about the same strength, may have got, too), so purchasers with large rooms should think superamp. Of program, I was traveling the bass speaker amp from quarry, as per the attached instruction credit card (it acquired punchout holes and has been pressed onto each speaker's level and curve pulls). I nevertheless think a better make use of of amp strength would end up being to use the line-level inputs for the sub, thus staying away from getting one amplifier driving another amplifier, which seems to me like losing half your obtainable power.

Nevertheless, when I tried the alternative hookup, properly switching the bass input to series, I got some pretty large sets off when connecting up to thé OM-6 terminals, and made a decision, in the passions of not really having my 20-season Bryston warranty negated by carelessly blowing my 3rd amp station in a calendar year (I fried the some other two with bass speaker hookups, too), that I would depart this attempt. A pursuit for energy efficiency has been becoming a bit of a bIowup (AAM will deal with this issue in his foIlowup in Vol.17 #2). Nevertheless, the Mirage OM-6 still rates as one of the almost all revolutionary and fascinating speakers to arrive through our testing and hearing process, one with amazing realism, lifelike mechanics, and a diploma of spatial ré-creation that wiIl appeal to numerous high finish audiophiles. The hype among early listeners is that it'h much better than the Michael-1si, and I'd be prepared to recognize.

The OM-6 is certainly certainly much less likely to dominate a area aesthetically, though it can definitely do therefore sonically. Toby Marshall. Outside the Loudspeakers Columns Many Popular Nowadays. Most Popular Overall. Recent Comments:.: I Have got A DENON AVR-3600.I Need A Remote control control For it.PLEASE E-mail me if you have got one for sale give thanks to you?.: The only point I really DON'T like about the Leading Compact disc recorders is certainly the 4 Minute Finalizing time. In any other case, they are a excellent worth.: This web page, best to underside had been one of the greatest reads I've stumbled upon whilst searching “speaker reviews”.

Sidebar 1: Specifications Description: Three-way, fIoorstanding, sealed-box Ioudspeaker program with an integral driven woofer. Drive-units: two 1' (25mm) genuine titanium cross types tweeters, two 5.5' (140mmeters) mica-filled, injéction-molded polypropylene-coné midranges with butyI surrounds, two 8' (200mm) long-throw, poIypropylene-cone woofers. Woofér amplifier: 150W continuous, 600W peak. Crossover frequencies: 80Hz . and 1.9kHz. Frequency range: 18Hz-22kHz (tolerance not described). Sensitivity (in-room): 91dB.

Impedance: 6 ohms small, 4 ohms minimal. Recommended amplifier energy: 30-200Wpersonal computer (at much less than 10% cutting). Measurements: 45.5' (1156mmichael) L by 9.75' (248mmichael) W by 16.5' (419mm) D.

Pounds: 61.5 lbs. Serial quantities of units examined: 099. Price: $3000/pair (1997); no much longer available (2006). Approximate quantity of dealers: 250. Manufacturer: Audio Products Cosmopolitan Company, 3641 McNicoll Ave., Scarborough, Ontario, North america Meters1X 1G5. Tel: (416) 321-1800.

Fax: (416) 321-1500.